Certainly, I do not know any borrowed pencil that has more power or felicity of execution than the one of which I have here been speaking. Surely, it is but a mechanical rule for avoiding what is low, to be always pedantic and affected. All essays and images are in the public domain. A person who does not deliberately dispose of all his thoughts alike in cumbrous draperies and flimsy disguises, may strike out twenty varieties of familiar every-day language, each coming somewhat nearer to the feeling he wants to convey, and at last not hit upon that particular and only one which may be said to be identical with the exact impression in his mind. Commentaries are copyrighted, but may be used with proper attribution. The original footnote found in Keynes’ colllection; I have, in turn, placed them in parentheses. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random. The vulgar, who are not in the secret, will admire the look of preternatural health and vigor; and the fashionable, who regard only appearances, will be delighted with the imposition. What's in the methods section of a research paper essay on patriotism in urdu language on kaziranga park english Essay in national how to make an effective research paper, write an argumentative essay on doctors are better than teachers, … In 1764 he became pastor at Wisbechin Cambridgeshire, where in 1766 he married Grace Loftus, daughter of a recently deceased ironmonger. His is the pure diction and aphorism. A thought, a distinction is the rock on which all this brittle cargo of verbiage splits at once. This style is free from affectation or vulgarity. AP English Language and Composition Examination. Keep to your sounding generalities, your tinkling phrases, and all will be well. It is as easy to write a gaudy style without ideas, as it is to spread a pallet of showy colours, or to smear in a flaunting transparency. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. The last is employed as an unvarnished medium to convey ideas; the first is resorted to as a spangled veil to conceal the want of them. I cannot speak to that point; but so far I plead guilty to the determined use of acknowledged idioms and common elliptical expressions. The author focuses on the writings of William Hazlitt and his literary aesthetics, pointing out the writer's choice to manifest a "familiar" style of writing for an artistic and intellectual end, rather than simply evidence flaws of the text. In "On Familiar Style" (originally published in the London Magazine and reprinted in Table Talk, 1822), Hazlitt explains his preference for "plain words and popular modes of construction.". The florid style is the reverse of the familiar. Look through the dictionary and cull out a florilegium, rival the tulippomania. It is not easy to write a familiar style. Hazlitt weaves his argument though the use of syntax, diction and appeals to pathos, logos and ethos; by using these effective rhetorical strategies Hazlitt proves his point that money is a crucial part of happiness in today’s world. It should be suggested naturally, however, and spontaneously, from a fresh and lively conception of the subject. The vulgar, who are not in the secret, will admire the look of preternatural health and vigour; and the fashionable, who regard only appearances, will be delighted with the imposition. . Thus it is easy to affect a pompous style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it. 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